Ableton Live Intro Manuál s instrukcemi stáhnout pdf (Strana 245)

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CHAPTER 19. CLIP ENVELOPES 243

To keep this complexity under control, it is important to have a common point of reference.

The start marker identies the point where sample or envelope playback depart from when

the clip starts.

Note that the start/end markers and loop brace are subject to quantization by the zoom-

adaptive grid, as is envelope drawing.

19.5.3 Imposing Rhythm Patterns onto Samples

So far, we have been talking about imposing long envelopes onto small loops. You can

also think of interesting applications that work the other way around. Consider a sample

of a song that is several minutes long. This sample could be played by a clip with a one-

bar volume envelope loop. The volume envelope loop now works as a pattern that is

repeatedly punching holes into the music so as to, perhaps, remove every third beat. You

can certainly think of other parameters that such a pattern could modulate in interesting

ways.

19.5.4 Clip Envelopes as LFOs

If you are into sound synthesis, you may want to think of a clip envelope with a local loop as

an LFO. This LFO is running in sync with the project tempo, but it is also possible to set up

a loop period odd enough to render the envelope unsynchronized. By hiding the grid, you

can adjust the clip envelope loop start and end points completely independent of meter

grid.

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Vikinin 04 Jan 2024 | 12:03:19

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Ableton Live Intro Manuál s instrukcemi Strana 245

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